GIALLO
Dario Argento's latest offering stars Oscar winner Adrien Brody and doesn't appear to be a departure from the grande master of the horror/thriller genre.
( h/t to Samurai Frog for this one )
INGLORIOUS BASTERDS
The more I see of Tarantino's latest offering, the more I realize how far his films have come since Reservoir Dogs. Yet, at the same time, I see a cinematic master that far too many decry as "gimmicky".
SHORTS
Robert Rodriguez is a unique director. After having made his mark in cinema history by being a renaisance man in production ( he writes, directs, does cinematography, edits, and scores his films ) he did the unthinkable by removing himself from the DGA when they told him that co-directing Sin City with comic legend Frank Miller was against their rules.
But Rodriquez is more than a renegade, he knows how to cross genres while still maintaining his cred. How many action-adventure directors do you know can create fantastic kids movies too?
COLD SOULS
The very premise of this smacks of Charlie Kaufman.
THE ROAD
I read Cormac McCarthy's novel during Christmas and felt this strange connection between it, The Stand, and Richard Matheson's "I Am Legend".
THE HURT LOCKER
This is a far cry from Near Dark and Strange Days. I'm thinking that this is the film that just might earn Bigelow a nomination. I'm thinking BAFTA and Independant Spirit.
FOOD INC.
Living in a region of the U.S. where TYSON is a major industry, this film is bound to stir up some rhetoric and certainly not be shown in the local theatre.
A Blog Version Of The Inside Of My Head. The place where politics, film, the media, music, pop culture, and random topics collide in an orgy of neo-philisophical randomness that would make your mother scream.
Showing posts with label The Hurt Locker. Show all posts
Showing posts with label The Hurt Locker. Show all posts
Monday, July 6, 2009
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