Definately NSFW.
And now, we sit back and wait for the Right to respond.
Showing posts with label Rap. Show all posts
Showing posts with label Rap. Show all posts
Tuesday, April 7, 2009
Thursday, October 30, 2008
Wonder How Much Money "Diddy" Thinks He Should Get From This Film
Considering that Sean Combs made his entire career off the death of his fellow rapper and good friend, I'd look for him to have his hand out once the box-office receipts start coming in.
Never was that much of a fan of his music, but his life and tragic death are the stuff of legends.
Should be interesting.
Never was that much of a fan of his music, but his life and tragic death are the stuff of legends.
Should be interesting.
Thursday, July 24, 2008
NAS Steps Up And Takes It To Fox, Literally
In one of the first pieces on this blog, I talked about how "rap" has been maligned with hip-hop, how some rap-artists that were once great started to become more "corporate minded" and NAS seems to be moving back to what had made him great in the past.
On NAS' new album, he has a cut called "Sly Fox". Guess who it's about?
Here's the video:
Recently, NAS delivered a petition with over 600,00 signatures on it that demands that Fox"News" stop its "racist" attacks on black America.
NAS even stopped by The Colbert Report to talk.
I'm certain we'll be hearing from O'Reilly on all this very soon.
On NAS' new album, he has a cut called "Sly Fox". Guess who it's about?
Here's the video:
Recently, NAS delivered a petition with over 600,00 signatures on it that demands that Fox"News" stop its "racist" attacks on black America.
NAS even stopped by The Colbert Report to talk.
I'm certain we'll be hearing from O'Reilly on all this very soon.
Sunday, June 29, 2008
NAS vs. Fox"News"
Though the world of hip-hop and rap are often maligned as one-and-the-same, it is apparent that both of these are fantastic 'boogie-men' for Fox"News" and the conservative-right.
I'm not a very big fan of NAS, though some of his older material is quite powerful in it's own right.
From a report by Reuters' Hillary Crosley:
NAS drew fire from Fox's own thuggish-ruggish superstar, Bill O'Reilly, when it was announced that he would perform at Virginia Tech at a benefit the following semster after the shooting there in 2007.
Now, it's no shock to anyone that has listened to 'gansta' rap that it can and is quite violent. Some people would argue that this is the root cause of violence in urban society while others would indicated that it is the main factor in the degredation of women in society. While everyone on all sides would love to have a tangible person(s) to pin the blame on, it is important to realize that NAS, and many "artists" like him are no longer the powerful street poets that they once were.
Long gone are the days when NAS, or Jay-Z, or 50 Cent were considered untainted by the corporate system. They are no longer individual voices that speak for the common man. They are, by and large, marketable facets of the music industry. They are compensated well for there violent imagry. They no longer are part of what HIp-Hop is about. They are traded as easily as Vivendi stock - nothing more than another 0 before the decimal in "L.A." Reid's bank account. But, despite the fact that so much of their creative soul has been syphoned away, they occassionally have moments where that fleeting creative flame burns as bright as day one.
"Sly Fox" from NAS' re-titled ablum "Untitled"
Update:
It appears that some people are insisting that this piece is somehow a slight against NAS. They are only partially right, as it would be nice to see that the above clip is indicative of NAS returning to his roots with his records, not trying to conform to a stereotype that the record companies are trying to perpetuate, being cutting-edge rather than cut-and-paste.
I'm not a very big fan of NAS, though some of his older material is quite powerful in it's own right.
From a report by Reuters' Hillary Crosley:
NEW YORK (Billboard) - Seated in a quiet corner of New York restaurant the Spotted Pig, Nas is drinking a glass of rose. He's dressed comfortably in jeans, Velcro-fastened sneakers and a white T-shirt featuring the image of a poster from Muhammad Ali and Joe Frazier's "Thrilla in Manilla" fight. His black Rolls Royce is parked outside and he's awaiting a few cigars from his driver.
In here, the noise surrounding the rapper's new Def Jam album, formerly known as "N--ger," has faded, but Nas is still happy to discuss the grand implications of it all.
NAS drew fire from Fox's own thuggish-ruggish superstar, Bill O'Reilly, when it was announced that he would perform at Virginia Tech at a benefit the following semster after the shooting there in 2007.
Now, it's no shock to anyone that has listened to 'gansta' rap that it can and is quite violent. Some people would argue that this is the root cause of violence in urban society while others would indicated that it is the main factor in the degredation of women in society. While everyone on all sides would love to have a tangible person(s) to pin the blame on, it is important to realize that NAS, and many "artists" like him are no longer the powerful street poets that they once were.
Long gone are the days when NAS, or Jay-Z, or 50 Cent were considered untainted by the corporate system. They are no longer individual voices that speak for the common man. They are, by and large, marketable facets of the music industry. They are compensated well for there violent imagry. They no longer are part of what HIp-Hop is about. They are traded as easily as Vivendi stock - nothing more than another 0 before the decimal in "L.A." Reid's bank account. But, despite the fact that so much of their creative soul has been syphoned away, they occassionally have moments where that fleeting creative flame burns as bright as day one.
"Sly Fox" from NAS' re-titled ablum "Untitled"
Update:
It appears that some people are insisting that this piece is somehow a slight against NAS. They are only partially right, as it would be nice to see that the above clip is indicative of NAS returning to his roots with his records, not trying to conform to a stereotype that the record companies are trying to perpetuate, being cutting-edge rather than cut-and-paste.
Friday, June 20, 2008
Kanye West Hates White Hippies
This past weekend, I attended the Bonnaroo Music and Arts Festival in Manchester, Tennessee.
Now, you're probably familiar by now with the Kanye West incident where he was 2 hours late for his performance time and he played less than 1 hour.
True, at one point in is life, Kanye may have been a valid musical force. But, when you become nothing more than a commercialized, MTV-moulded, automatron, you tend to not really care what people think.
What's even worse are the people who claim to be fans of this guy. They just don't seem to get it that he's been marginalized for years and has lost all traces of his original innovative self.
The discussion started long before the magazines or blogs got a hold of it. Chants of "Kanye Sucks" could be heard from across the main field, where Bonnaroo's massive mistake in festival headliner took the stage 2 hours after he was scheduled to perform.
But, the story really doesn't start there.
It begins with Kanye allegedly being upset that he was playing on the second stage, at 845pm, and that there were other artists performing at the same time he would be.
For Shame!!!!
Upon arriving into the Centeroo area, people noticed that signs had already been placed near the main stage area stating that Kanye West would be playing at 245am on Saturday. This still sort of made sense, as West's stage performance was 'glow-in-the-dark'.
The discussions started from the very first day. Was Kanye already complaining? What would his set be like? Would he really play at 245am?
The discussion of Kanye's performance ( or lack there-of ) got a little heated. It's hillarious and sad all at the same time to read the misguided thoughts of people that worship at the feet of a seething douche like Kanye.
However, there's a video that shows what really went on backstage, that no one saw ----
Now, you're probably familiar by now with the Kanye West incident where he was 2 hours late for his performance time and he played less than 1 hour.
True, at one point in is life, Kanye may have been a valid musical force. But, when you become nothing more than a commercialized, MTV-moulded, automatron, you tend to not really care what people think.
What's even worse are the people who claim to be fans of this guy. They just don't seem to get it that he's been marginalized for years and has lost all traces of his original innovative self.
The discussion started long before the magazines or blogs got a hold of it. Chants of "Kanye Sucks" could be heard from across the main field, where Bonnaroo's massive mistake in festival headliner took the stage 2 hours after he was scheduled to perform.
But, the story really doesn't start there.
It begins with Kanye allegedly being upset that he was playing on the second stage, at 845pm, and that there were other artists performing at the same time he would be.
For Shame!!!!
Upon arriving into the Centeroo area, people noticed that signs had already been placed near the main stage area stating that Kanye West would be playing at 245am on Saturday. This still sort of made sense, as West's stage performance was 'glow-in-the-dark'.
The discussions started from the very first day. Was Kanye already complaining? What would his set be like? Would he really play at 245am?
The discussion of Kanye's performance ( or lack there-of ) got a little heated. It's hillarious and sad all at the same time to read the misguided thoughts of people that worship at the feet of a seething douche like Kanye.
However, there's a video that shows what really went on backstage, that no one saw ----
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